Grey DeLisle

Grey DeLisle’s Voice That Defined a Generation of Animation
At Fort Ord, California, a military base turned ghost town, a girl named Erin Grey Van Oosbree grew up in a household shaped by contradictions – a country music-loving truck driver father, a born-again Pentecostal mother, and a Mexican grandmother, Eva Flores, who sang alongside Tito Puente. That upbringing – full of competing voices and cultures – would become the blueprint for one of the most wide-ranging careers in American animation history.
DeLisle’s path into voice acting was anything but direct. She graduated from Chula Vista High School, chased a singing career, and then pivoted into stand-up comedy on a friend’s advice. It was in comedy clubs, mimicking voices and characters, that a casting director took notice. Voice acting classes followed, and soon she was working with talent agent Sandy Schnarr. Her animation career caught fire in the early 2000s, when she became the ongoing voice of Daphne Blake in the Scooby-Doo franchise – a role she inherited from the late Mary Kay Bergman, her friend and mentor. That single credit anchored her in the public consciousness for over two decades.
Azula, Arkham, and the Art of the Villain
Within the craft itself, DeLisle gravitates toward complexity. Azula in Avatar: The Last Airbender stands as one of the sharpest villain portrayals in animated television – a character DeLisle herself has named her personal favorite. The role demanded a particular kind of cold precision: a teenage girl whose manipulation reads as effortless until it shatters. DeLisle delivered every beat without softening the edges.
In the Batman: Arkham game series, she brought Catwoman to life across multiple entries including Arkham City, Arkham Knight, and Arkham Origins Blackgate, then carried the character into Injustice: Gods Among Us and Injustice 2. Her Catwoman walked the line between predator and antihero with wry authority, earning DLC chapters of her own in Arkham Knight: Catwoman’s Revenge. The DC universe became a recurring home – Vicki Vale, Black Canary, Wonder Woman in the DC Super Hero Girls series, and a playful Scooby-Doo crossover into Batman: The Brave and the Bold all sit in her catalog.
Beyond the Booth – Singer, Comic, and Grammy Winner
The recording studio is not the only stage she claims. A Grammy Award for Best Traditional Folk Album arrived in 2005 as a contributing artist on the compilation Beautiful Dreamer – a credential that sits alongside her Emmy nomination for Outstanding Voice Performance for The Loud House in 2022. Her debut stand-up special, My First Comedy Special, dropped in September 2018, confirming that her comedy instincts remained as sharp as they were in those early club nights. In 2019, she stepped into the long-running shoes of Russi Taylor on The Simpsons, taking over as Martin Prince, Sherri, and Terri – a role that placed her inside the most durable animated series in television history. By October 2024, her total credit count sat above 2,058 roles across 533 titles.