Jeremy Adams

Jeremy Adams’s Path from the Musical Stage to the Voiceover Booth

Growing up in small-town Montana, Jeremy Adams first fell for performance the old-fashioned way – through live theatre. A trip to Edinburgh with his mother, where he caught a production of Cats, redirected everything. Back in the Pacific Northwest, he threw himself into the Seattle stage scene, spending over a decade performing at venues across Washington and beyond, training in dance, voice, and the kind of physical discipline that would later translate directly into his audio work. He holds a black belt in Tae Kwon Do, sings, fences, and brings a full-body investment to craft that most booth-only performers never develop.

The pivot to voiceover came in stages. After following his wife to Fort Collins, Colorado, Adams committed fully to building a VO career from the ground up – home studio, cold outreach, commercial gigs, and a mindset he described himself as a “real numbers game.” The transition paid off. Clients from across the industry noted his quick turnaround, sharp instincts, and ability to handle everything from technical medical copy to fantasy genre characters without losing clarity or energy.

Cyril Brass and the BRASS Audio Drama

The role that defined Adams’s early voiceover career came in 2015, when he auditioned for Cyril Brass in Battleground Productions’ steampunk audio drama BRASS. Director John Longenbaugh described the audition as less of an audition and more of an arrival – the charm, swagger, and flippant take on Received Pronunciation were all present from the first read. Over the following years, Adams expanded the character across multiple seasons of the podcast, a stage production at Seattle’s Theater Schmeater in Fatal Footlights, and the short film The Lair of the Red Widow – where he also performed the fight choreography himself, putting his martial arts background to practical use on camera.

Longenbaugh called Adams’s voice “a flexible and wide-ranging instrument, as capable in delivering comic quips as real pathos,” and his accent work on Cyril – a stylized Received Pronunciation with a deliberately loose upper-class English edge – became one of the most praised elements of the production.

Commercial Work, Games, and Expanding Credits

Beyond BRASS, Adams has built a client list spanning educational technology, independent games, and commercial production. The MentalUP educational app – used by millions of children globally – features his voice as a central part of its experience, with the company crediting his performance as integral to the app’s appeal. Game developers at Crunchy Studios LLC and Low Birth Games have both worked with him on character and demo recordings, with Crunchy citing his delivery and recording quality as standout attributes worth returning to.

His niche profile – youthful, melodic, plucky hero types, IT everyman, sullen teens, wacky sidekick archetypes – fills a specific gap in the casting market, and his learned dialects in RP British, Scottish, and Irish give him range that commercial and dramatic projects alike have put to use. Outside the booth, Adams streams games on Twitch under the handle Commander Extra, an extension of a personal investment in gaming culture that feeds directly back into how he reads game character scripts.