Elizabeth Bigham

A New York based SAG-eligible actress and singer, Elizabeth Bigham works across theater, independent film, and English language voice over. Best known for voicing Ines in Mobile Suit Gundam: Cucuruz Doan's Island, appearing in The Cataclysm, and her role in Sold Out, she also performed with the School of Rock Broadway promotional tour team and KOTA's New York children's theater productions including A Little Princess.

Elizabeth Bigham’s Impact on Theater and Voice Acting

A New York City based performer with roots in both stage and studio work, Elizabeth Bigham has carved out a niche across Broadway adjacent productions, independent film, and English language anime dubbing. As a SAG-eligible actress and singer, her credits span the School of Rock Broadway promotional tour team and headline children’s theater productions through KOTA in New York, including Madeline’s Christmas, A Little Princess, and A Knight at the Museum. Her shift into voice over expanded that range further, putting her behind the microphone for projects that reach audiences well beyond a theater seat.

Most Known Roles of Elizabeth Bigham

- Ines – Mobile Suit Gundam: Cucuruz Doan’s Island
- Ensemble Cast – The Cataclysm
- Cast Member – Sold Out
- Lead Role – A Little Princess (KOTA NY Production)

The Gundam Franchise and the English Dub of Cucuruz Doan’s Island

Her work on Mobile Suit Gundam: Cucuruz Doan’s Island marks one of the more visible turns in her voice acting career. The 2022 film, directed by Yoshikazu Yasuhiko, adapts the long-shelved Episode 15 of the original 1979 Mobile Suit Gundam series, an installment that Yoshiyuki Tomino had personally requested be pulled from English language releases for decades. Stepping into the English dub as Ines placed Bigham inside a project carrying significant weight for Gundam fans, since it gave anglophone audiences their first official access to material that had been off limits since the series first aired. The role sat alongside a debut anime cast of fellow New York based performers, with her grounded vocal delivery suiting the film’s quieter, character driven tone rather than the louder mecha theatrics typical of the franchise.